This is an exercise to assess the results of focussing on a
specific item when using a fixed aperture.
All of the shots in this exercise were taken at f2.8 and
70mm length on a full frame DSLR.
When got married in May 2014, we had our guests write messages
to us using Jenga blocks – an alternative to a guest book. This set of photographs has those blocks
lined up along a table to create a long line.
Three shots were then taken focussed on the closest block, a
mid point block and lastly a block furthest away.
In all three shots the block that is in focus stands out
from the others and the eye is therefore drawn to that block.
In the case of there three pictures, I prefer the picture with the focus on the
furthest away block – the one that says ‘Gina B’ on it.
For the closest focus block, the other blocks are so far out
of focus that it is not possible to see them at all. Although this does draw ones attention to the
closest block, the overall purpose of the picture is lost, it does not convey a
lot of blocks with messages on them.
For the mid focus block, the above problem is resolved, all
of the other blocks are recognisable as blocks and so the intent of the picture
is intact. However, there happens to be
a number of blocks that have fallen into focus and so there is no single point
that the eye is drawn to.
For the furthest focus block, my favourite picture, all of
the blocks are recognisable but there is only one that is in focus. The ‘Gina B’ block. It clearly stands out from the others, almost
as if I put it there on purpose – which I did not. If this was not an exercise, I would take
this picture with just a slightly narrower aperture to bring the front blocks
slightly more into focus.
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| Closest Object Focus |
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| Middle Object Focus |
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| Furthest Object Focus |
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